What to do with all those pieces of paper #collage
As a writer you probably have piles of paper, drafts of
stories, poems, and notes stacked away and sure, you could throw them in
the recycle bin or print on the other side of the paper (if you haven’t done so
already) but here’s another suggestion – try transforming some of those pages
into art. It can be a cathartic experience and a pleasurable distraction from
writing (and we all need that from time to time!) Here’s a recent example …
It began with my withdrawal from a creative writing Masters
course at the University of Adelaide. (I’m happy to say I don’t regret
withdrawing, nor do I regret attempting it and that I haven’t abandoned the
project, a work of fiction that has sisters as its focus). But the experience
was a bit stressful and challenging and because I like to process stressful
experiences through writing and making art, I thought about what I could do
with the printed pile of project proposal drafts that I had filed away; I
thought about the photocopied images I had of my and sister and I when we were
small children; and I thought about colour. I began by weaving an
enlarged photocopied image of me and my sister (the photo was originally
passport size, taken in a booth) with a draft page of my recently abandoned
Masters proposal and, because I wanted the final woven image to have something
delicate and beautiful within in, something that suggested patterns found in
nature (as opposed to the artificial patterns of written language), I added
strips of Japanese origami paper. As I typed the visible words and fragments of
words, a surprising title leaked out of the weave.
Here, then, is the final cut-up, where image and text
intersect and the reader/viewer (hopefully) interacts with both. The text is
fragmented, meaning the reader (you) must be more active in creating meaning,
(your) own meaning:
Sister, I believe we have minimized or overlooked our existence as small
uncons nursed decades.
in writ creative foregrou ers and chologic act of
of suc tionship
hine Jul chell sibling and
T ive won form the creative work thro the dev ment of the
thesis, an versa.
Th result in an disciplin roach to re earch pr
Since the ning of memory silblin repress otential to
each other m on a u ion in the y … So takes on ce, and
then is a his is the sibling trauma (Ap)
in 2003 minist psychology
reations en siblings in th
I believ ve minimized ooked entire our exi as small
children posed by the ne who stands the old who
idering t chic devnt of girls, believe isling re are
ant and because ‘prioritize e ces that re salie omen.
Up until in psy gy the sig of sibling realtion and its
impact
child ps evelopm s been o ed by the prima nt-child relation
ciology and family. Terri for exm ggest
vides new explanation femal
ion, ide nd
such a f the loss of lov fear of annihilation person tion.
The ex will examine M s influential theory way it en interp.
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